FilmOn player update dialogJust a couple of quick notes about two streaming TV providers.

* A poster who says he’s Alki David, founder of FilmOn, posted a comment on the most recent blog post here. The poster (I hope it’s David) suggested that part of the reason for FilmOn’s spotty service was an attack on hosting company Reality Check Network. The FilmOn player required an update last week, and the details in that update dialog, shown here, suggest other problems.

But it’s true, now at least something works. The FilmOn player shows a large set of over-the-air channels from Great Britain. A dependable, live source of BBC programming might be worth the subscription price. But FilmOn’s subscription page doesn’t mention them, so I don’t know whether the British channels are here to stay. On the other hand, the adult channels are gone again.

* Ivi.tv keeps rolling along. Every now and then, a channel or two is unavailable for a while, but it’s been remarkably stable. Will it survive? Broadcasting & Cable’s John Eggerton reports that ivi has asked a US District Court in New York to refrain from granting a restraining order or preliminary injunction against it. Eggerton writes, “Ivi argues that, quite simply, either would put them out of business.” Instead, ivi wants the case shifted to Seattle, where it had already filed for a declatory ruling that it does not violate copyright.

Ivi Chairman Ron Erickson is quoted as saying that if ivi wins in court, the media companies will turn to Congress to change the law. Which is what I’ve been saying all along. I still wonder how ivi can win that fight, but for now, I’m enjoying the chance to watch.

Economics logoFirst, before I forget, I owe you a review of the SatHawk / Solomend FTA receiver I’ve been using. (It uses the same innards as the OpenBox S9.) So far, everything is great, and even the DVR is working pretty well. I’ll write much more about it next week.

When Dish Network and Fox couldn’t reach an agreement to renew a bunch of regional sports networks and a couple of other pay-TV channels, Fox yanked them from Dish. Trade publications had a note on it, local newspapers where the sports networks went out mentioned it, and a few perceptive souls noticed that the dispute might spread to include some Fox over-the-air channels in November. Congress and the national media yawned.

But last weekend, when Fox yanked over-the-air channels away from Cablevision, which services New York and Philadelphia, that’s when US Representatives felt moved to act. Or at least talk about acting. In a way that somehow keeps the channels on while allowing the free market to work it out. But which punishes those who bargain in “bad faith”, a determination that courts rarely make.

Long Side Note: Dish and Cablevision often say they’re holding the line to keep customers’ prices low. That’s garbage. They’re holding the line to provide the best return for their investors, as is their duty. The retail cost of anything is set to maximize profit. Set the price too high, and reduced sales drop the total profit. Set it too low, and the thin margins produce a smaller profit.

Here’s a concrete example. Once upon a time, I bought and sold used and collectible books. (I bought them used and sold them collectible.) Suppose that I bought a pile of them at $1 each. Now suppose that the next pile I bought cost $3 each. Would I automatically raise prices by $2/book? Of course not! The price was always set based on demand and competition. Higher costs cut into my profit, but they had no effect on the customer’s price.

When a business has an increased cost, such as a higher wholesale fee for a channel, it merely changes the floor for the minimum price to consumers. And that higher floor only changes whether the business will sell that thing at all; it won’t automatically set a higher price. Back to the books, if demand for those $3 books fell off, the competitive price might drop to $2 or less. I’d sell however many I had left in inventory at below cost, but I’ll know not to buy any more of those at $3.

These rate disputes are all about which company gets to keep more of subscribers’ fees. This talk about protecting consumers from rate increases is hogwash.

Anyway, there’s one painless way to solve all retransmission disputes. It’s used in similar markets, yet I never hear it brought up as a solution to this mess. As personal inspiration and drive-in movie critic Joe Bob Briggs often puts it, “I’m surprised I have to explain these things.”

Get the networks (a handful of companies own most of them) on one side of a bargaining table. Get the cable and satellite companies on the other. Make them work out one national formula for how much any given network is paid per subscriber. Repeat every couple of years or so. Everyone gets a fair shake, and viewers never see holes in their lineup from channel disputes.

Personally, I’d like to see the formula tied to the number of viewers, not subscribers. If your channel adds interesting programs, ratings go up, then you get more money next quarter. If you rerun the same old crud and no one watches, you get less money.

This model works in music. It works for streaming radio stations. In Canada, it works for schools photocopying text and for retransmitting OTA channels. There’s no reason this kind of system couldn’t work here.

Think of all the money this would save these companies. Take the number of channels. Multiply by the number of cable/satellite providers. Multiply by the number of worker-hours (or lawyer-hours) needed to negotiate each carriage agreement. Multiply by the hourly cost of company workers or lawyers. No matter how much a central agreement would cost to negotiate, it would be a lot less than this.

However, without being forced to the table, the channel providers would never agree to this. Disney thinks that ESPN is indispensible (maybe it is), charges almost as much as HBO for it, and demands that it be included in the lowest tier on every system. Other providers also have a long history of winning the big fights like the current dispute. Why be forced to take a standard rate when you have the leverage to demand a premium? But if Congress really wants to build a system that’s fair to everyone, this is it.

Or Congress could mandate a la carte pricing, as supported by Consumers Union. Everyone pays a set amount to connect, then buys each channel separately, so if a channel raises its rate, subscribers can decide whether they’d rather pay extra or drop it. Opponents say a la carte pricing would make users pay more for fewer channels, but have the folks who make Consumer Reports ever been really wrong about anything like that?

Playboy and other filthon channelsFilmOn.com continues to look more like a brainstorming session than a service. (How long was it in beta? A whole year?) A couple of days after lowering its rate to less than $5, FilmOn raised it back to $9.95/month. And it returned its previous set of adult channels, including Playboy and a few “Filthon” offerings, for an extra $5/month.

In addition to these broad changes, there were also more of the now-typical addition and subtraction of regular channels. This time, TVE – Spain is out. The MyNetwork affiliate for Los Angeles, KCOP, is in. And FilmOn added US Armenia, plopped right in the middle of the over-the-air broadcast channels. Maybe that means that US Armenia has an OTA sub-channel in LA?

In one news story, FilmOn founder Alki David said that he had a deal with Playboy, though not with the big four broadcast networks. Along those lines, David said in a Reuters interview that he’s prepared for a fight.

Anyway, I’m tired of writing about all these FilmOn changes. Suffice it to say that if you’re interested in possibly subscribing, go to the FilmOn.com site to see the latest channel chart and price. They’ve probably changed since I started typing this.

It’s easy after the fact to say you knew this was going to happen. But I just knew this was going to happen. According to a report by PaidContent.org, Qualcomm is going to pull the plug on FLO TV.

I’m often reminded of what Dish CEO Charlie Ergen said at a CES a couple of years ago about Sling — maybe it’s not a good standalone product, but it’s a great feature. That’s what I always thought about FLO TV. As an added feature to a good smartphone, that’s some nifty technology. As a pricy standalone, subscription-based TV service, it’s an answer looking for its question.

* Quick moron joke: A guy asks his moron buddy whether he left his car’s blinkers on. The moron looks out the window and says, “Yes. No. Yes. No.”

That’s the way I feel trying to keep track of FilmOn’s rapidly evolving service. It dropped its adult content option. It dropped KTLA. It showed KCET (PBS) among its offerings, but never streamed it when I looked. (In any case, KCET is gone now.) It dropped ABC and KCAL, then put them back. And best of all, FilmOn dropped its price to a more competitive $4.99/month.

Finally, FilmOn got sued by the big four networks. The billionaire behind the service, Alki David, had an interesting interview at TVNewsCheck, where he said he has a “cavalier attitude” towards copyrights. I think I know what’s going to happen, and my only question is when.

* Meanwhile, my favorite personal streamer, ivi.tv, keeps on streaming. As I mentioned in an earlier post, my opinion is that even if ivi wins its court cases, Congress will then change the copyright law to put them out of business. I asked the ivi folks about what they see as an alternative to this bleak (for them) scenario, and all I got back was that they were “very optimistic” about their future. But they did take down the Research Channel slot the day after I told them that it had gone off the air.

The reason I care about internet-based TV is that it’s a likely candidate to be the primary TV delivery system within 20 years. As bandwidth approaches infinite capacity at minimal cost, more TV will be sent through the internet. Satellite and terrestrial broadcasters now enjoy huge economies of scale in reproducing shows, particularly live events, to millions of simultaneous viewers. That advantage will diminish as new technologies and higher speeds come online. Everything changes.

Update: There’s a comment here that looks and sounds like it’s from the founder of ivi.tv, Todd Weaver. (It takes a few days to get a conclusive retina scan.) So go read the comments. Oh, and I forgot to mention earlier, here’s a short news story with a lawyer who says there’s no law against viewers watching streaming TV. I feel better about watching these streams already.

fireworksIt’s been a great week for FTABlog! First, it broke the story that another internet startup had begun streaming over-the-air broadcast signals as part of a subscription package. That this was a scoop really surprised me because I got the news from a FilmOn.com press release. Let that be a lesson to you about how much those press release services are worth.

Second, word of that scoop reached the broadcast industry news leader Broadcasting & Cable, which ran a story mentioning this blog in its second sentence. (Too bad the link tag got messed up somehow.)

And just when I was already happy about that recognition, I turned to one of my favorite blogs, Mark Evanier’s News From Me, and found myself at the top of another post. Evanier writes about all sorts of fun topics, including comics, animation, and writing in general. Only once in a while, he writes about his TV provider, DirecTV. After Evanier publicly wondered why DirecTV doesn’t carry C-SPAN 3 (long story), I sent him an email describing the Public Interest channel requirement and why it leads satellite TV providers to carry single channels from more, uh, lesser-known non-profit channels than a third channel from C-SPAN. And he published the email almost verbatim. I hadn’t polished it for publication, so using it like that was a great compliment. Thanks.

Ultimately, I’d love to make this blog more like News From Me, except with an emphasis on free-to-air TV. I’ll never be as prolific, and rarely as amusing, but I’ll try to post more often, even if the posts are shorter and without a big story. Like this one.

What would you like to read about? Leave a comment and let me know.