Beware the zombie satellite

Beware the zombie satellite

Some bloggers make lots of short posts to quickly reflect whatever they care about at the time. So far, I’ve been collecting thoughts and lumping them together. Would you rather see shorter, more frequent posts? Like it the way it is? Leave a comment, please.

* The mainstream media is slowly coming around to reporting the odd problem that is Galaxy 15. About a month ago, April 5, Intelsat lost control of the satellite. That’s not so unusual; all satellites eventually go bad. But when most satellite die, they die. Galaxy 15 isn’t responding any more, but it still thinks it’s alive, and that’s what’s causing the problem.

Galaxy 15 carried some C-band programming, almost all scrambled, which cable TV systems picked up, descrambled, and passed along to their subscribers. You can get a good idea of what it had by seeing what’s on Galaxy 12, the replacement that Intelsat quickly moved into position. Galaxy 15 thinks that it’s still relaying those signals, so it’s continuing to broadcast on similar frequencies.

Without a steady hand to keep it in one place, Galaxy 15 is shuffling over to a Lagrange point, one of those gravitational dips that weakly attract wandering objects. Along the way, it’s going to pass by AMC 11, an SES New Skies satellite that also broadcasts to cable systems on similar C-band frequencies. They’re not too worried about collisions; there’s a lot of room up there, and plenty of time to move out of the way. But Galaxy 15 could get close enough to interfere with AMC 11′s signals. If the satellite operators don’t take corrective action, cable subscribers could have to spend several days without MTV.

For a more thorough discussion of this situation, your best choice is Doug Lung’s updated story in TV Technology.

* My latest tweet (you are following FTAList on Twitter, aren’t you?) concerns the US Court of Appeals ruling on setting damages on satellite piracy. The original case was three years ago, but the appeal was decided yesterday.

A jury found that one sad guy had watched unauthorized DirecTV signals for 435 days, so he was fined $43,500. Another guy had distributed four illegal devices, and he got hit with $44,000.

Not only is piracy unethical and bad karma, it’s also got a terrible risk-reward ratio. But you already knew that.

* When you’re away from your dish, the next best thing is TVU Networks for Windows, iPhone or iPad. You’ll recognize a lot of the foreign-language channels that are available FTA, plus several public-domain movie channels that are almost as good as White Springs used to be. Poke around the long list of channels and check it out.

Thoughtful young womanIn a thread in the FTA section of DBSTalk, someone wrote, “I don’t understand why FTA isn’t more popular.” That’s a good question. (Okay, it’s not actually a question, but you get the idea.)

There are at least two good reasons why FTA isn’t more popular. The first is analogous to the difference between paying DVR fees vs. building your own DVR.

The big channel providers (cable, pay-TV satellite) promote their DVRs through lots of advertising. Their monthly DVR fees pad the bottom line, and having lots of stored programming reduces customers’ desire to leave for another provider.

But a savvy viewer could take an ordinary computer, add a card or two and some software, sign up with a free listings service, and create his own DVR with zero monthly fees and full portability.

So why don’t more viewers make their own DVR? Initial cost, time, technical competence, convenience, and promotion. Making a DVR costs a few hundred if you don’t have a suitable spare computer sitting around. It takes time to find and install all the necessary pieces. It takes a small bit of technical competence (or at least technical confidence) to open up a computer and add a card. This is nowhere nearly as convenient as letting the nice installer hook up your ready-to-go DVR. Finally, if you’re a techie, you’ve read stories about home-grown DVRs about a tenth as often as you’ve seen ads for providers’ DVRs. If you’re not a techie, you might never have heard of home-grown DVRs at all.

FTA is very similar. Compared to the millions the big providers pour into advertising, the promotion of FTA shines like a dime on the floor of a treasure vault. It takes real out-of-pocket cash to get started with FTA, and it takes a bit of work and technical competence. But folks who have figured it out know that it’s worth it.

One thing FTA needs is a receiver that’s as easy to use as a cable box. But FTA receivers also need to handle a variety of new and challenging DVB-S2 formats with high bit rates to support true HD programming. Right now, those two goals seem to be incompatible. I’m looking forward to the day when I get a receiver as rock-solid as my old Fortec Star Mercury II, yet able to handle every FTA HD signal that’s thrown at it. Maybe in another year or so?

The second big reason that true, legal FTA isn’t more popular is piracy. In some people’s minds, FTA = piracy. That’s because a lot of pirates use “FTA” to mean pirating signals. Some Dish Network folks talk about a “FTA problem” when they, no doubt, really mean a piracy problem.

FTA feels a little too good to be true. (All these channels, and I never have to pay anyone for them, ever?) Take that thought and add in a distant echo of an old busted-pirate news story or your co-worker’s second cousin’s trailer-park friend, and you’ll get some people who believe that any FTA must be illegal or immoral or something. It’s not entirely logical, but I’ve seen it happen.

Personally, I think the answer is to come up with a new name for legal FTA. Imagine an association of equipment dealers and broadcasters (e.g. FreeDBS, or an reincarnated White Springs) coming up with a trademarked name for watching in-the-clear satellite TV signals. Then maybe we’d start transitioning to a discussion of KleerSat channels.

PushpinsEarlier this week, I was getting excited about adding a new over-the-air broadcast channel to FTAList. KNWS (Katy / Houston TX) was in the clear on AMC 21, where it joined all those great PBS feeds. But KNWS isn’t a PBS affiliate. It’s thoroughly independent, providing daily doses of The Cosby Show, Rosanne and Cheaters. Just as I prepared to update the database and send a tweet about it, I made one last check. KNWS was gone. Darn it!

And the weird thing is that almost the same thing happened the next day. CNN, of all things, popped up in one of the Veterans Administration slots on Galaxy 18. This time, I knew that there was essentially no chance that this would last long. Sometimes satellite operators copy a signal up through a slot like that just to make sure it’s working, and this looked like one of those times. Still, just as I was about to send a tweet about this one, CNN was gone. Nice while it lasted.

Although I’ve seen similar temporary channels while blind-scanning the skies, these two tips both came from posters at Ricks Satellite forum. Even though I can’t point at a new “permanent” channel right now, at least I can remind you to check Ricks for the latest in temporary channels, especially sports feeds. It’s great for Ku-band, but if you have a big C-band dish, Ricks is as good as it gets.

Echostar booth at 2010 NAB Show

Echostar's a separate company from Dish, so this photo isn't that relevant. Oh well.

Once again at a big convention, I’ve come up with an idea that has very little to do with the show.

This morning, I watched a presentation about mobile over-the-air TV. After that, I saw the keynote speech by NAB CEO Gordon Brown. (He’s a much better speaker than his predecessor, BTW.) Brown said that the public is better served by keeping broadcast TV rather than turning that spectrum over to wireless internet companies.

And that reminded me of the limited spectrum, the finite satellite positions taken up by pay-TV satellite providers.

By rule, a certain percentage of channels on each satellite have to be for non-profit, public interest programing. NASA TV, Angel One, and C-SPAN are three examples of PI channels.

Did those first two remind you of something? They used to be in the clear until Dish Network scrambled them a few months ago.

Dish interprets the PI mandate to provide them for free but only to active Dish receivers. What if the government wrote a more directed rule that, to provide the widest public service, all PI channels must stay unscrambled for any receiver? We’d get at least a dozen new channels, Dish would lose essentially no subscribers, and all of that public service programming would reach a wider audience. Sounds good to me!

(That photo of the Echostar booth here at the NAB Show isn’t strictly relevant to this topic. I just wanted to post one of the photos I took today.)

Gee whiz, I never expected that I’d be writing so much about the NAB Show. Anyway, the exhibit hall opens next Monday in Las Vegas. Just in case you get a chance to join me there, here’s my survival guide for the NAB and other big trade shows like it.

  1. Wear comfortable shoes. This is the highest priority, because if you have bad shoes, it can ruin the whole show for you. You will be walking. A lot. On hard surfaces. Most of the time, when you’re not walking, you’ll be standing. Unless you’re used to being on your feet all day, they won’t be happy with this. Find those comfy shoes now and break them in before you arrive.
  2. Have a plan, but don’t expect to stick to it. Make note of the high points that you absolutely have to see. Add some topics that sound interesting, but which don’t have the same high priority. Make a list of exhibitors you want to meet. Then walk onto the floor with the expectation that your schedule may change. There will be a lot of interesting stuff out there, including something you never thought of. Don’t be afraid to set aside what looked good yesterday when you want to learn more about something that’s amazingly cool today.
  3. Bring food. It shouldn’t be a lot. A PowerBar or Clif Bar or maybe even a Snickers will do. If you prefer something warm and mediocre, you can take a half hour to wait in line, pay too much, then struggle to find a place to eat lunch. Or you can unwrap a protein bar from your pocket or bag and munch on it as you sit and watch an exhibitor’s presentation. Save your time to visit more booths, and save your money for a real meal after the exhibit hall closes for the night.
  4. Get a lightweight map. If there’s an application with a map that you can load on your smartphone, (such as the NAB app), that’s the lightest map you can get. Otherwise, get the map that weighs the least. When you remember that you wanted to visit TooCool’s booth, you’ll want to know where to find it. When you want to find the nearest rest room, you’ll definitely be thankful for the map.
  5. Beware of heavy freebies. There are so many great things for free at a big show. Free magazines. Free catalogs. Pens. Paperweights. Bags for carrying them all. You can probably haul around all the pens that you’ll get, but anything that feels a little heavy at 11 is going to be a burden by 4. If you really need that two-inch-thick catalog, plan to pick it up as you leave for the night.
  6. Choose your bag well. With all those fliers and freebies, you’ll probably also want a free bag to carry them around. Don’t just grab the first one you see. Make sure your bag is substantial enough to carry the Blu-Ray disc player you hope to win. Make sure it won’t embarrass you because it’s made of coated paper, has a garish promotion on the side, has a long handle made of twine, or all three. Better is a bag made of fabric with a tasteful, colorful logo and a short, strong handle. When you see one of those, grab it fast; those are the bags that run out before the show’s over.
  7. Wear comfortable shoes. Seriously.
  8. Time your presentations well. If you pass by a booth with a mob standing around watching a presentation that you’d like to see, make a note of when the next showing will be, then keep moving. If you pass by a booth with a presentation that’s going to start in 10 minutes, have a seat if you think it’ll be of interest to you. Use this 10-minute break to check your schedule, check your email, and get friendly with the folks at the booth. You’ll get the benefit of an unobstructed view of a full presentation and your feet will get the benefit of a full half-hour break. Then get up and walk back to that booth you passed, if it’s about 10 minutes before that next showing.
  9. For your top priority event, get there early. If your schedule is built around the 2 o’clock show at the 3D Theater, get there at 1:30. If Neil Armstrong is signing moon rocks at 4, get to his booth by 3. If it’s really that cool, it’ll be that popular too, and you’ll probably be waiting in a long line. If there’s no line when you arrive, hang around the neighborhood until it starts to form. If no line ever forms, make sure you’ve got your schedule right; maybe Neil isn’t supposed to sign anything until tomorrow.
  10. Drink, especially water. The air is dry in Las Vegas, and hours of walking and standing take more effort than sitting around all day. Dehydration will make you and your muscles feel more tired. When you pass a water fountain, take a drink. Consider bringing a small refillable bottle. And when any exhibitor offers any kind of liquid refreshment, it’s probably a good idea to take it. Come to think of it, that’s good advice on any occasion, isn’t it?
  11. Wear comfortable shoes.
  12. Wear comfortable shoes. Okay?